I like the fact that we're stripping the icons away. They're the WikiLeaks for the age that we're revealing, with the transparency of the characters. We're unearthing the truth beyond or underneath the myth. I love that aspect.

I've always believed that you shouldn't want to mend a broken heart, because that's someone you don't want to forget. Scars can be good.

I fall in love with contradictions without understanding. I can't really portray them unless I do. So in a roundabout way I have to fall in love, it's my duty. If love is about understanding and understanding is compassion and compassion is love, I have to have compassion towards the world.

I think academics are infuriating. For every expert on Shakespeare there is another one to cancel his theory out. It drives you up the wall. I think the greatest form of finding out the truth is through fantasy.

I think all experience is, in some way, shape or form, filtered down to help you, in your present moment. With Shakespeare, you're trying to act with a fairly archaic language, although in certain aspects, it's deeply modern.

'How do you balance the creative with the biblical?' One could pick up the scripture and read it to oneself and you would be communing directly with that information. As soon as you go into film, as soon as there's a camera, and there's an angle, and there's lighting, and there's editing, you're into the adaptation.

I wanted to say, "Hey, Pope Francis," but I cried like a baby. I was reduced to a very humble set of feelings, because it was not about what was said: There's a presence. That was a blessing for myself and my family and everyone there to be a part of that.