I think that while you're making the film it's important to just keep your eye on the ball and make the best movie you can, and then realize that it's out of your control.

You won't believe how many people have congratulated me around the world for shooting a movie in 2D. It's bizarre. It's the strangest thing.

That's the tricky thing these days: being able to surprise people.

I heard, one of my producers told me this story where like the Hollywood studios brought all these high-end consultants in to try to figure out how to improve their process and make films more efficiently, and these consultants like studied the process for years and finally came up with this report they put together about how studios can improve the efficiency of their process, and the conclusion was "have the script ready by the time you're shooting.

I was always looking for a career that could combine my creative interests with my technical side, and it ends up directing films is the perfect combination.

The commercial music video industry is very hard to break into, and until you break in, that first job is the hardest thing in the world to get.

It's a fine line to find that balance: to show people enough to give them the promise of something unique, and something they want to see, but at the same time make sure that when they show up for the movie, they're surprised by what they eventually get.