But the script's got to be at a level that makes it worth going back for, because it's a lot of work to make a movie like this and it's a multi-year project. So we've got our writer Jesse Wigutow on it right now writing, and fingers crossed if it all comes together, as we hope it will, there could be another Tron in the next few years, and it's going to be awesome.

I don't wear glasses, so I like the idea of not having to put them on to watch a movie. It's a hard barrier to get beyond.

For me the Blu-ray version is kind of the definitive version of the movie.

It's a fine line to find that balance: to show people enough to give them the promise of something unique, and something they want to see, but at the same time make sure that when they show up for the movie, they're surprised by what they eventually get.

I always had some kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.

I love movies that ask big questions but don't necessarily answer everything. I like people walking out thinking about something.

So Disney has their full support behind it, which is great, but again it's got to be the right story. It's got to be a script that's up to snuff and worth going back for. The idea's there, the ambition's there, the excitement's there; but we need to have all the pieces in place before they would ever pull the trigger on that.