But I grew up in a place where no one knew anyone in the entertainment business, I never knew it was an actual career. The closest I ever got to movies was going to watch them, and I thought that's the way it would be, so I never considered working in this business.

It's a fine line to find that balance: to show people enough to give them the promise of something unique, and something they want to see, but at the same time make sure that when they show up for the movie, they're surprised by what they eventually get.

The idea itself, the notion of what the next Tron could be, is exciting enough that it would be worth going back to do it. Obviously we hinted some things at the end of Legacy, it's kind of there for people to see what that potential is. So we just want to make sure that we have a script that delivers on that promise on an epic scale."

I grew up in a place where no one knew anyone in the entertainment business, I never knew it was an actual career.

You never watch movies the same as you do when you're a kid, ever again.

Certainly there's pressure while your making the movie.

The commercial music video industry is very hard to break into, and until you break in, that first job is the hardest thing in the world to get.