I remember at the premiere of my second movie I started crying. I thought, I'm so bad that I either have to stop this and do something else or learn what I'm doing.

I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.

Rebellion, just to be clear, can mean holding onto some of your own integrity, of not playing into the idea of sensationalism. We all have our moments, and that's your guys' job - to take those moments and make them turgid, gaseous, make them big, and it's bigger than the person is. When you start believing your own press, that's when it gets really sad.

The only way change will ever happen is if we speak up, and we have to know that it actually has an impact. Because we have a lot more power than we think we do, I think.

I got picked on a lot. I was a complete geek in school. I had braces. I didn't have the hot girlfriend. I wasn't ever sought after. I was a stocky, awkward kid who got laughed off the tennis court when I tried that.

You have to be okay with wins and losses. You can't just be looking for the wins and, when the losses happen, you can't buy more and more because you're sure it's going to bounce. We call that revenge trading.

My dad didn't often bring me to the set, being an actor himself, so my infancy as an actor was wracked with a lot of giggles and nervousness.