I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.

Josh [Gad] is such an amazing improviser and is so good when the material is flowing from him that sometimes, if a written scene isn't working quite right, I'll tell him that we've got it and that he can just play. He'll blow us away with some super weird stuff and some wild things that we might use bits and pieces of in the edit, and then I'll say, "Just for good measure, let's do one more of the scripted version."

I was a product of a divorced family and I used humor as a weapon to combat sadness. I used comedy to make my mother laugh in light of the darkness that she faced, and to me it became a very powerful tool at a very young age, at six. I saw how therapeutic it could be.

Coming off of 'Book of Mormon,' I had a lot of opportunities. I didn't want to do TV, actually. I really wanted to get paid nothing and keep doing theater at all costs.

I certainly never imagined 80-year-olds singing along, like they were watching Cats. I'm fascinated by that kind of pop cultural zeitgeist that it's attached itself to.

I grew up on 'Lawrence' and 'Zhivago'. A legacy with not one but multiple timeless classics.

There are certain TV shows that probably would have made me rich, and there are certain commitments I could have made that probably would have raised a lot of eyebrows that I didn't. But I don't look back at those decisions and say, 'Oh God, I'm such an idiot.