When you're doing a show like 'The Book of Mormon,' you're completely spent by the time the show is over.

When you get into the series, the progression is much different. You actually have breathing room and the chance to sit down with each actor, which was a part of our process, to talk to them about their pasts.

Coming off of 'Book of Mormon,' I had a lot of opportunities. I didn't want to do TV, actually. I really wanted to get paid nothing and keep doing theater at all costs.

I grew up on 'Lawrence' and 'Zhivago'. A legacy with not one but multiple timeless classics.

It's weird to say, but every time I look at my daughter and I see this little living breathing thing that came from me, that represents all of the hopes and dreams that I would want for her, I see a miracle.

My idol growing up was Charlie Chaplin. I was obsessed with him. I mean, while other kids were watching Jim Carrey and the likes in the '90s, I was watching Charlie Chaplin films, because I was a bit of a geek. I became obsessed with this idea of physical comedy.

We use improv in all kinds of fun ways. Sometimes it's to invent or discover new things, sometimes it's to weird out the other actors, and sometimes it's to create a sense of fun, to find new things inside the scripted lines.