Just to be part of a process where you hit no professional speed bumps and you're just sort of going on and on. I'm surrounded by these people that are all so collaborative and all bring things of their own to the process. For them to be alive in the scenes so you don't have to worry.

To me, there's nothing greater than making people laugh.

I do hang out with girls, I do relax. But I am a hermit sometimes and get a bit too introverted, too 'Jean-Paul Sartre' and intellectual in my head. And it's like a Kafka novel in there, things get nuts. Then I have to remind myself to get out and I will go and play ice hockey with my friends.

All the things you can do to prepare for a role that free you, in the moment, are great. You have this muscle memory for things. You don't have to act it as much, once you've done it enough.

I do work too hard sometimes, but my mom is such an inspiration. She tells me to 'chill out' and not take things so seriously. She will say: 'Go and have a massage.'

I don't know, being able to work with Meth was pretty damn cool, but even that day, John, the director, gave me one of the best notes I've ever had. I walked into the scene just completely excited. I just couldn't believe I was going to work with Meth.

Sometimes, you run into trouble as an actor when you're not working with someone who is collaborative or doesn't bring themselves to the piece, and you sort of have to start worrying about yourself and protecting what works for you in the scene. I never had to do that in this movie because it was sort of this trapeze act.