I'm not really that hard-working. We've hung out a lot, and you know that I don't work harder than you. Everyone else is just really lazy. People do half a thing, and then they just go out to lunch.

It's three disparate elements: the stop sign, the stage paintings, and the skeleton paintings. Those are three sharp ideas, although none of them are necessarily good ideas. Tons of artists have made whole careers out of those three ideas.

And the cool kids always had a stop sign in their bedroom. Which means: "I don't care if people die. I want my stop sign." At least the assumption was that they took it down from somewhere and now there are old ladies hitting each other head-on somewhere.

I do, but I don't like doing that. I would do it out of hate or anger. I would do it because some- one was pushing my buttons, but really I don't want to break my back in some European city while everyone else is drinking espresso. I only do it because someone refused to pay for the shipping, or something like that. I don't want to let a whole city of people down.

I have a streak in myself, like, I'm an exhibi- tionist. There's a side of me that really wants to show off and share parts of myself with others. I mean, that's why I live in New York, and that's why I'm an artist who shows 10 times a year.

I'm a happy, happy person. I laugh. I'm not angry. I'm only disgusted with a few people in the world that I have to see. But I'm not angry at all.

I would never make an artwork that I wouldn't want to make forever. Wouldn't you want to make Trash Humpers [Korine's 2009 film] forever?