There's a tradition of reenactment in documentary which is about sort of illustrating what the past might have been like.

I need to trust myself and go where my instincts tell me, and to be as wild and free as possible in my creative decisions.

Each and every perpetrator was boastful, usually they would invite me to the places where they killed and I would of course accept those invitations because I could document what happened that way.

There's a tradition of reenactment in documentary which is about sort of illustrating what the past might have been like.

I always have said, you know it's not for me to forgive or to condemn, I'm a filmmaker.

We lie to ourselves and try to escape that bitter reality by saying that the world is divided into good guys and bad guys, and that we're the good guys. We condemn people as evil to reassure us that we're not like them. If there's to be any hope of preventing these things from happening again, we have to look at the reality. That any act of evil in our history was committed by human beings like us. That, very often, we're all implicated in it.

I don't believe you can make an honest film about another person in all their complexities from a place of distance. You can make a journalistic report, you can judge someone from a distance, but you can't really get to know them.