In TV, there's so much compromise, it does start to grate a bit. But if you're a writer or an actor, it really is the place to be.

There’s a fine line between support and stalking and let’s all stay on the right side of that.

I also don't trust Caribou anymore. They're out there, on the tundra, waiting... Something's going down. I'm right about this.

I find that when you read a script, or rewrite something, or look at something that's been gone over, you can tell, like rings on a tree, by how bad it is, how long it's been in development.

Smell is the most powerful trigger to the memory there is. A certain flower, or a-a whiff of smoke can bring up experiences long forgotten. Books smell musty and-and-and rich. The knowledge gained from a computer is a... it, uh, it has no-no texture, no-no context. It's-it's there and then it's gone. If it's to last, then-then the getting of knowledge should be, uh, tangible. It should be, um, smelly.

I'm very much of the "make it dark, make it grim, make it tough", but then, for the love of God, tell a joke.

I'll take crazy over stupid any day.