When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it?

I do listen to music. Movie scores, exclusively, because it's all about mood and nonspecificity. I love the way modern movie scoring is all about nonspecificity. You know, if I shuffled the tracks from 'Inception,' I challenge you to tell me which is which.

I’m assuming you’re as mystified by this as the rest of us, Rasputin. No. I’m not. I have been planning to destroy the Breakworld since I was a child. [silence] This is why I don’t make so many jokes. I never know when is good.

I don't know a lot of show runners. I mean I met a lot of them in picket lines. I'm not part of a, like, secret society or pickup basketball game. As far as I'm concerned, pick-up basketball games are secret societies. They confuse me. I've never been a networker or I've never been very social.

When you see these characters like Captain America or Thor, laughing at their own situation or about how strange they are, then you are able to accept more readily that it's fine to wear a cape. You can also accept that it's fine to be enormous and green, or to shoot arrows at aliens racing through the sky. It all makes sense if you've been able to laugh at it and with it.

I've been to two festivals in my life, and I've never been to Toronto. I haven't really been making festival movies. This is new territory for me.

It's about women. It's about power and it's about women and you just hate those two words in the same sentence, don't you?