If somebody comes up to me, it's because they're moved by something I'm moved by. I've never taken a job I didn't love... So when somebody's coming up to me, or they're writing, they're in the same space I am in.

If something isn't working, if you have a story that you've built and it's blocked and you can't figure it out, take your favorite scene, or your very best idea or set-piece, and cut it. It's brutal, but sometimes inevitable.

In other news, it's been far too long since I gloated massively about the fact that I know what's going to happen on Buffy and you all don't.

What I love most about icons is finding out what's behind them, exploring the price of their power.

I can do web, comic books, macrame, art.

Everything I write tends to turn into a superhero team, even if I didn't mean for it to. I always start off wanting to be solitary, because a) it's simpler, and b) that isolation is something that I relate to as a storyteller. And then no matter what, I always end up with a team.

It was only when I got to college that I realized that the rest of the world didn't run the way my world was run, and that there was a need for feminism. I'd thought it was all solved. There are people like my mom, clearly everyone is equal and it's all fine. Then I get into the world and I hear the things people are saying. Then I get to Hollywood and hear the very casual, almost insidious misogyny that just runs through so much of the fiction. It was just staggering to me.