People want the tragedy. They need things to go wrong, they need the tension. In my characters there’s a core of trust and love that I’m very committed to. These guys would die for each other, and it’s very beautiful. But at the same time, you can’t keep that safety. Things have to go wrong, bad things have to happen.

If you're someone who geniunally believes that women don't deserve or aren't as much as men, you're like the plague. On the big history chart, you're the plague....It's just pointless and deadly.

Every kid who hated grownups becomes a grownup. Well, except the ones who died.

I do remember what I said. The promise. To protect her. If I'd done that ... even if I didn't make it, you wouldn't've had to jump. I want you to know I did save you. Not when it counted, of course. But after that. Every night after that. I'd see it all again, do something different. Faster or more clever, you know? Dozens of times, lots of different ways ...Every night I save you.

'You think we're dancing?' 'That's all we've ever done.'

If you're going to make a science fiction movie, then have a hover craft chase, for God's sake.

In other news, it's been far too long since I gloated massively about the fact that I know what's going to happen on Buffy and you all don't.