I designed 'Buffy' to be an icon, to be an emotional experience, to be loved in a way that other shows can't be loved. Because it's about adolescence, which is the most important thing people go through in their development, becoming an adult.

It seemed to be a fundamental thing that women have something men don't, the obvious being an ability to bear children, and the resilience to hang in as parents. I don't understand why or how anyone ever pulled off the whole idea of "women are inferior".

Who is to say who is the villain and who is the hero? Probably the dictionary.

Nowadays I'm really cranky about comics. Because most of them are just really, really poorly written soft-core. And I miss good old storytelling. And you know what else I miss? Super powers. Why is it now that everybody's like "I can reverse the polarity of your ions!" Like in one big flash everybody's Doctor Strange. I like the guys that can stick to walls and change into sand and stuff. I don't understand anything anymore. And all the girls are wearing nothing, and they all look like they have implants. Well, I sound like a very old man, and a cranky one, but it's true.

The Hulk is the most difficult Marvel property because it's always about balance. Is he a monster? Is he a hero? Are you going to root for a protagonist who spends all his time trying to stop the reason you came to the movie from happening? It's always a dance

I went to Berlin and Warsaw and Kraków to do research. Right after we got started, I had already booked this trip, so I went. Seeing the history and the posters, and hearing from the guy certain phrases and words and images, it's stunning how much they're playing from the handbook of the little mustache that isn't Chaplin. With Rudy Giuliani as Mussolini.

I can do web, comic books, macrame, art.