I find that when you read a script, or rewrite something, or look at something that's been gone over, you can tell, like rings on a tree, by how bad it is, how long it's been in development.

The fact that a TV star can become president should be old news since [Ronald] Reagan, and old news since the Nixon-Kennedy debates - which the famous story, whether or not you agree, is that if you listened on the radio, Nixon won; if you listened on TV, Kennedy won.

This voting thing is actually beautiful. Not just necessary - it's a wonderful thing and it makes you powerful. And we've forgotten that in the most negative [president's] campaign in history.

We have things to say about Congress and all of that. I think we may have our magnum opus coming yet. It's a piece called "Leonard" that I'm very excited about, and I think we're going to see a side of Chris Pine that people haven't really seen yet. That's all I'm going to say, but I'm proud of it.

Apart from a couple that were just having fun with the concept and making fun of [Donald] Trump - like the one we did with Keegan Michael-Key - they really are little hero narratives. The whole "Save the Day" - it's called that, specifically, for a reason - ethos is there is this heroic act called voting. And the world is scary, and things are overwhelming, and there's a lot at stake.

Paul Hollywood's "You're under baked" is even better than "You're fired."

Inevitably it's going to cause some terrible misogynist backlash, and I assume we'll look forward to eight years of jaw-droppingly sexist statements - the way we listened to eight years of racism around the presidency. It will be an argument before it's a conversation. But at least it's being had.