I could never take the idea of religion very seriously.

Mark Twain was very unhappy with himself for various reasons. He was very unhappy with America of this time. He thought it was terrible we had no anti-lynching laws, and he was also a feminist, and he was also very concerned with anti-Semitism. He was a good man, but he was hard on himself.

Shakespeare would seem to have been a person for whom the human voice/personality in all its splendid idiosyncrasy was absolutely enthralling.

I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.

'We Were the Mulvaneys' is perhaps the novel closest to my heart. I think of it as a valentine to a passing way of American life, and to my own particular child - and girlhood in upstate New York. Everyone in the novel is enormously close to me, including Marianne's cat, Muffin, who was in fact my own cat.

A writer who has published as many books as I have has developed, of necessity, a hide like a rhino's, while inside there dwells a frail, hopeful butterfly of a spirit.

I don't think I'm morbid by nature. Serious writers have always written about serious subjects. Lighthearted material doesn't appeal to me, and I don't read it. I think I'm a realist, with a realistic sensibility of history and the tragedy of history.