If Shakespeare's great plays are variants of stories, even novels, you can see how each character is telling his story from his perspective; each is vying with the others for dominance, but in the end, in tragedy, most of these voices will die, to be replaced by the yet more vigorous voice of a younger generation.

When you are writing literary writing, you are communicating something subtextual with emotions and poetry. The prose has to have a voice; it's not just typing. It takes a while to get that voice.

And what is 'art'? - a firestorm rushing through Time, arising from no visible source and conforming to no principles of logic or causality.

Running! If there's any activity happier, more exhilarating, more nourishing to the imagination, I can't think what it might be. In running the mind flies with the body; the mysterious efflorescence of language seems to pulse in the brain, in rhythm with our feet and the swinging of our arms.

Don't try to anticipate an ideal reader - or any reader. He/she might exist - but is reading someone else.

Characters begin as voices, then gain presence by being viewed in others' eyes. Characters define one another in dramatic contexts. It is often very exciting, when characters meet - out of their encounters, unanticipated stories can spring.

It's rare that we actively and consciously 'forget'; most of the time we have simply forgotten, with no consciousness of having forgotten. In individuals, the phenomenon is called 'denial'; in entire cultures and nations, it's usually called 'history.