I'm sure all that you've heard is just the usual gossip, invented to injure feelings rather than illuminate truth.

Later, her first intense, serious love affair, yes then she'd lost something more tangible, if undefinable: her heart? her independence? her control of, definition of, self? That first true loss, the furious bafflement of it. And never again quite so assured, confident.

My parents inspired me by their example. They both grew up in the Depression, and both of them had to quit school when they were quite young to work, because there actually was no choice. So they've always impressed me with their resilience, their good spirits, their courage. I just remember them carrying on and just doing their lives. They really made a strong impression on me.

What madness! Yet she would do it, if she could force herself. She'd become, she believed, a stronger person: a willful, resolute. Like the man who adored her, reckless.

There is an hour, a minute - you will remember it forever - when you know instinctively on the basis of the most inconsequential evidence, that something is wrong. You don't know - can't know - that it is the first of a series of "wrongful" events that will culminate in the utter devastation of your life as you have known it.

I am inclined to think that as I grow older I will come to be infatuated with the art of revision, and there may come a time when I will dread giving up a novel at all.

One of the qualities of writing that is not much stressed is its problem-solving aspect, having to do with the presentation of material: how to structure it, what sort of sentences (direct, elliptical, simple or compound, syntactically elaborate), what tone (in art, "tone" is everything), pacing. Paragraphing is a way of dramatization, as the look of a poem on a page is dramatic; where to break lines, where to end sentences.