I found that I wanted to be best friends with almost all the women I interviewed because they had been through something. They were closing in on the circle of their journey and they had a kind of wisdom that comes from their long life.

I seek what lies beneath surface beauty. What interests me are intimate human complexities - the darkness as well as the light. I cannot will this kind of transcendent communication into existence. I have to be open and truly present, and if I am lucky, grace descends. My best photographs are an honest collaboration, and when the viewer also connects, I feel the circle is complete.

If I am lucky, something new and inexplicable often appears in front of my lens. I am always surprised by the mystery of how my best images appear. That excitement and shock of discovery makes my life at these moments a gift.

Have the utmost respect for your subjects. Love them.

I think of my work as very polarizing; either people really do like it and are touched by it or they really don't get it at all. It's not accessible to all people at the same level.

I try to neutralize my figures; I want them to be mythic and timeless. I want them to exist beyond time. I've used the skull caps or cowls to banish hair, which is distracting. I want to isolate the face and concentrate on what is really going on deep within my subjects.

The most important thing is to try and enjoy life because you never know when it will be gone. If you wake up in the morning and have a choice between doing the laundry and taking a walk in the park, go for the walk. You'd hate to die and realize you had spent your last day doing the laundry.