I think of my work as very polarizing; either people really do like it and are touched by it or they really don't get it at all. It's not accessible to all people at the same level.

Michaelangelo said the mirror is our greatest teacher. My use of mirrors in my work helps me uncover psychic layers. Often, the face is distorted in the mirror so it is much more than a simple reflection. Sometimes something surprising emerges - some darkness or secret appears without us knowing why or giving it permission.

Through a portrait, we can potentially see everything — the history and depth of a person's life, as well as evidence of a primal universal presence. I have dedicated my life and creative energy to capturing these transcendent moments in which a connection is made between the subject, the photographer, and the viewer.

I seek what lies beneath surface beauty. What interests me are intimate human complexities - the darkness as well as the light. I cannot will this kind of transcendent communication into existence. I have to be open and truly present, and if I am lucky, grace descends. My best photographs are an honest collaboration, and when the viewer also connects, I feel the circle is complete.

Our best pictures happen by grace.

I would never censor something to please someone. I don't play games.

I've heard many times that with all good artists it's ultimately a self-portrait even if it's an abstraction. I feel my work is very much who I am. I didn't try to make it that way; it just is. It reflects who I am and also my interests.