I never chased after any particular school, never really had mentors; I really just did the work that was true to me.

I found that I wanted to be best friends with almost all the women I interviewed because they had been through something. They were closing in on the circle of their journey and they had a kind of wisdom that comes from their long life.

I've heard many times that with all good artists it's ultimately a self-portrait even if it's an abstraction. I feel my work is very much who I am. I didn't try to make it that way; it just is. It reflects who I am and also my interests.

I think of my work as very polarizing; either people really do like it and are touched by it or they really don't get it at all. It's not accessible to all people at the same level.

Through a portrait, we can potentially see everything — the history and depth of a person's life, as well as evidence of a primal universal presence. I have dedicated my life and creative energy to capturing these transcendent moments in which a connection is made between the subject, the photographer, and the viewer.

Our best pictures happen by grace.

I seek what lies beneath surface beauty. What interests me are intimate human complexities - the darkness as well as the light. I cannot will this kind of transcendent communication into existence. I have to be open and truly present, and if I am lucky, grace descends. My best photographs are an honest collaboration, and when the viewer also connects, I feel the circle is complete.