I don't think because a story has humor in it means it's brief. For some reason, people think anything that's 30 minutes is a comedy, comedies can be longer or shorter, so can dramas.

I think it's fun to have people see everything at once, and then I think certain shows are very well-suited to being on every week and being spread out over months.

Even now if I see someone working out, in great shape, like a 40-year-old guy with his shirt off jogging I always think, "Look at that idiot." That's why everyone in my movie is kind of goofy because I'm a champion of the goofball. What sucks is I have to work out now not to die. I was always happy not working out because I never wanted to be someone who worked out to look good, but now I have to try to not die, which is such a drag.

I used to bug all of the comedians for interviews, and when people want to talk to me, sometimes I'm very receptive and sometimes I say no. Sometimes if I say no, I think, "If they're smart, they'll figure out how to not accept this no."

I've come to realize that people connect more when they know you're telling them the truth or some aspect of your story, some mutated version of how you are experiencing this life.

The little details really connect for people in ways I never realized before.I think that's why some of the movies have done well, because people are relating to things that I'm willing to expose.

[My] dream writers room: "'Taxi.' I need to write for someone named Judd."