I wrote for Roseanne. I wrote her stand-up act with her. I wrote with Tom Arnold. There was a period when I was working with them pretty steadily. But I would take brief gigs here and there.

I am always driven by the terror of humiliation.

[My] dream writers room: "'Taxi.' I need to write for someone named Judd."

Sometimes a story idea will come to me, and suddenly I've figured out the whole thing, and I feel like I'm collaborating with something other than myself.

There's no logic in how Donald Trump thinks. I don't want someone who's the president who says 3 to 5 million people voted illegally when there's zero proof. It's a crazy person.

I remember the Time review [on the Hit and Run]said that there wasn't one laugh in it. And I had watched the movie 50 times with audiences, and it always played great. There was certainly a moment where you could tell the audience was like, "Wow, this is really getting weird."

I think a lot of Hollywood is in retreat right now trying to figure out how to make money and make the safest bets.