I hosted the Producer's Guild Awards, and it went well, and I was very happy in the moment, and it was a fun night. But I wake up the next day like someone who did crack the night before and told off the world, and I'm ashamed of the whole idea that anyone should listen to me, or the idea that I need that much approval.

I think a lot of Hollywood is in retreat right now trying to figure out how to make money and make the safest bets.

I think, there were probably problems with show business where producers and directors would try to get the writing credit also. So they created a rule where the bar, to get your name added to the writing credits, if you've done a revision, is very high if you're also the producer or director.

I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled

Some people are probably saner. They're good performers, and they go about their day. I just get obsessive about it.

I feel like Superbad and Freaks And Geeks are somewhat timeless. That's always gratifying, when you feel like 30 years in the future, people will still get it, and it won't seem creaky. It won't come across like The Incredible Mr. Limpet.

I think it's fun to have people see everything at once, and then I think certain shows are very well-suited to being on every week and being spread out over months.