One of my fears is that I'm suddenly not going to be funny, but still think I am. That's like my nightmare that I can wake up in a cold sweat from.

I thought the idea Jim [Carrey] had, which was to do a comedic version of movies like The Hand That Rocks The Cradle and Unlawful Entry, was really funny. The movie was a little lighter when we first came on, a little more like What About Bob? or something.

Some people make movies and think, "Well, I'll just keep asking for more money if this isn't enough." And then there are other people, like Clint Eastwood, who always come in under budget.

Something economically changed. It used to be that you needed 20 million people to watch a TV show for it to be a hit. Now, with just a few million people watching, you're considered very successful, for a lot of these streaming services, or cable channels. Now, that allows people to do much more creatively ambitious work, because it's not lowest common denominator.

Donald Trump runs the country like he ran "The Apprentice." The premise of "The Apprentice" is a crazy rich guy has his daughter and his son oversee celebrities doing tasks. And then they come back to him, and they tell him how they did. So in every episode he's like, how did - how'd Meatloaf do, Ivanka? And then she says, Meatloaf really did a great presentation. And then he makes some impulsive decision about who to fire based on not being there, not really even understanding anything.

You can work on a movie for years, and you won't know until you show it to an audience for the first time if it makes any sense to them at all, if they're touched, if they find it funny, so it's endlessly exciting, because failure is just right there all the time, and your chances of success don't rise that much based on the fact that you succeeded last time.

It seems like magic is something kids start really young.