A lot of times, it's easy to trim the movie 'cause you just start losing things that you thought would be there just for amusement's sake that actually are not funny. My favorite part of the process is seeing it with an audience. I do about eight previews to see how things are working.

We are at this weird moment where there's an economic model that supports creativity. People are demanding something new and fresh.

I used to bug all of the comedians for interviews, and when people want to talk to me, sometimes I'm very receptive and sometimes I say no. Sometimes if I say no, I think, "If they're smart, they'll figure out how to not accept this no."

I think watching too much TV as a kid led me to being very uncomfortable in new situations. To this day, when I drop my kids off at school, I still feel like I'm in 9th grade and I'm uncomfortable and insecure. Like anyone is paying any attention.

As a Jewish man who has no interest in Judaism whatsoever, there's something in me that says when bad things have happened in the past, people were supposed to get more active and speak up and prevent them. That's what's important to me is that everybody - and I don't care what side you're on. You can disagree with me, but everyone better get active. Everybody better vote and be thoughtful.

I was very combative as a creative person at that time [while The Ben Stiller Show]. I didn't understand how to play politics with the studios. I didn't know how to creatively collaborate with the people who were paying the bills, and that came up all the time on every project I was doing, and it took me a really long time to figure out how to collaborate in a healthy way.

Humor is his defense mechanism, so that would allow me to talk about some serious subjects, but get a lot of hilarious jokes in.