The first comedians I became fascinated with were the Marx brothers. I couldn't get enough of them. Later in life, I thought, "Well, maybe it's because they were so rebellious and they were just flipping the bird to society and all the rules we're supposed to follow." They were saying that none of it is fair.

Literally, my last call was with David Blaine, congratulating him on his show. I have a camaraderie with David.

One of my fears is that I'm suddenly not going to be funny, but still think I am. That's like my nightmare that I can wake up in a cold sweat from.

The only thing I knew in the world as a little kid was comedy. And no other kids in my school cared about it at all. There was no one to talk about it with. You know, we're in a geek culture now where comedy is so giant. I'm one of the people that, you know, works on Funny or Die. And there is just a giant culture of comedy nerds. But back then, I was alone, and I had a little confidence about it because I felt like, this is my thing, this is the only thing that only I know about.

'Deadwood.' I could have watched that forever.

I think Jim [Carrey], in the best possible way, thought, "I need to do different things to establish to the audience that I'm not going to do the same thing every time."

I thought the idea Jim [Carrey] had, which was to do a comedic version of movies like The Hand That Rocks The Cradle and Unlawful Entry, was really funny. The movie was a little lighter when we first came on, a little more like What About Bob? or something.