I think it's fun to have people see everything at once, and then I think certain shows are very well-suited to being on every week and being spread out over months.

The Cable Guy was underbudgeted, so it was always a debate about whether we could have more days or certain things that we needed, because the budget was determined before the script was written. So that made it a hard production on everybody. But it's also a funny thing, because it's one of those movies that cost $40 million to make and made $100 million around the world, but at the time, it seemed like a disaster that it didn't make hundreds of millions of dollars, because Jim was on such a tear. But it was actually a successful movie.

I was listening to Tommy Chong talking about how he feels like there is like a creative flow happening and how certain people just know how to hook into the pipe. He played music with Jimi Hendrix and felt that he was personally connected to some higher intelligence or creativity.

The first comedians I became fascinated with were the Marx brothers. I couldn't get enough of them. Later in life, I thought, "Well, maybe it's because they were so rebellious and they were just flipping the bird to society and all the rules we're supposed to follow." They were saying that none of it is fair.

So many people are in comedy because of difficult mothers or broken homes.

I don't think it matters what the frequency is of me writing or directing a movie. It doesn't really matter to anybody else. I'm just trying to put good things out there.

The little details really connect for people in ways I never realized before.I think that's why some of the movies have done well, because people are relating to things that I'm willing to expose.