You should look up some of the reviews. The New York Times review is so over-the-top funny. It's hysterical. You should dig it out.

I'm always begging people like James Brooks and Cameron Crowe to come to screenings, to see what they make of it, and they're always ridiculously helpful. They also keep me brave enough to commit to what I'm trying to do. They can be great cheerleaders for risk-taking.

I had a very specific type of terrible network experience where I was told that people like Seth Rogen and Jason Segel weren't leads, so it truly drove me mad. So to be trusted is all I value.

For a long time, TV was just the land of handsome, beautiful people, and now it's the opposite.

I like to shoot scenes where I can see the beginning, middle and end of the entire scene. But, when you edit a movie together, you can just cut right into the middle. You don't need to see them walk into the room and put their jacket on the chair. There's always a lot of shoe leather that you can remove.

In my beginnings, those nos were ever-present-even today, those nos are ever-present-and it's the workaround. I always found a workaround for people who turned their back to me. It's a way of being persistent that makes them take notice.

When you're making your 20th movie, it might be the 20th most incredible thing that's ever happened to you!