I feel like Superbad and Freaks And Geeks are somewhat timeless. That's always gratifying, when you feel like 30 years in the future, people will still get it, and it won't seem creaky. It won't come across like The Incredible Mr. Limpet.

All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.

I'm making a movie about relationships, and I'm surrounded by guys scared of talking to girls.

The audience doesn't care that most of happened. They just want a good movie.

When Jim Carrey signed on to star in [The Cable Guy], and then they asked me to produce it, I made a very brief plea to direct - which was rejected really as quickly as anything can be.

If you're an athlete, you might work your entire life, and you win the Super Bowl once, if you're lucky. And I feel like in the arts and entertainment we win the Super Bowl all the time.

Donald Trump runs the country like he ran "The Apprentice." The premise of "The Apprentice" is a crazy rich guy has his daughter and his son oversee celebrities doing tasks. And then they come back to him, and they tell him how they did. So in every episode he's like, how did - how'd Meatloaf do, Ivanka? And then she says, Meatloaf really did a great presentation. And then he makes some impulsive decision about who to fire based on not being there, not really even understanding anything.