All of the directors I've worked with I have loved and would work with again. I have no favorites.

There were a few things that, in rehearsal, any one of us might try. [John] Hughes would go, "I like that," to me spitting up in the air and catching it in my mouth. It was just something I did in a rehearsal and Molly [ Ringwald] went, "Ewww." And John went, "Can you do that again?" And I went all day long, and he was like, "Okay, let's do that."

I think that sometimes you don't have the opportunities for some of the most A-list-type movies, big-budget movies. But I think it's important to keep working and make the best of what's available. Because otherwise, what? Are you just going to get bitter and moan? What does my mom always say? "If you can't stand the heat, get out of the kitchen."

[St. Elmo's Fire] it was pretty soon after that. I know we didn't do Breakfast Club knowing we were going to do that.

It is a career of make-believe, of masks. We all have masks in life.

I went and saw him [ John Hurt ] here in L.A.He did a one-man Beckett show of Krapp's Last Tape. I went back and saw him afterwards, and what an actor he is. He is so gifted.

Stagecoach is really my first Western, actually.