The Lord Chamberlin was censoring scripts when I first came into the theater.

Work certainly does help fill a void.

The only real failure is the failure to try.

I work out the other bits, too, but I need to know what I look like, very early on. And then it's like a template; I'll fill that person out. If I get that out of the way, then I'm all right.

I started off as a theatre designer, and by some extraordinary circumstance I saw something in Stratford-upon-Avon, and realized that that's the kind of design I want, but also that that's the kind of designer I'll never be.

I couldn't be a one-woman show, since I wouldn't have anybody to bounce off from. Once you're out there, dribbling on, you have nobody to interrupt you. I love being part of a company, and telling a story.

I played Iris Murdoch, who had not long died, and I felt the responsibility very heavy on my shoulders.