To say that gender is performative is a little different because for something to be performative means that it produces a series of effects. We act and walk and speak and talk in ways that consolidate an impression of being a man or being a woman.

Some Israeli politicians have proposed the transfer of Palestinians out of what is currently called Israel, either into the occupied territories, into Jordan or out into other Arab lands, with the idea that there would be no intermixing of Palestinian and Jewish Israelis or Palestinian and Jewish communities. But the idea of an absolute segregation is one that I find lamentable.

It seems to me that "Gender trouble" will always be important to try and open up our ideas of what gender is. So, I don't know if it's revolutionary, but maybe it still has something to say to those issues.

We cannot choose with whom we cohabit the world.

We are more often than not asked, for instance, to regard Israel and Palestine as in a conflict of this kind, a framing that sets each of them on equal footing, and implicitly analogies the political situation to a fist fight, a soccer match, or a domestic quarrel. So if, then, the only two intelligible political positions are "pro-Palestinian" or "pro-Israeli," the presumption is that one's position is determined by a sentiment that wants one side to win over the other.

Photographs can be forms of recruitment, ways of bringing the viewer into the military, as it were. In this way, they prepare us for war, even enlist us in war, at the level of the senses, establishing a sensate regime of war.

There is no original or primary gender a drag imitates, but gender is a kind of imitation for which there is no original.