Let me say one thing to clarify my position. I think we can take distance from norm but I think we are also mired in norm, "empêtrés", I think you say in French. And I think the choices we can make are only in a certain struggle with the norms out of which we're constituted.

It is true that one was not allowed at the time to really ask, what would lead people to do this, from what sense of political outrage or injury? And in that way, the possibility of sympathetic identification was foreclosed. That does not mean that some people took quiet pleasure in certain icons of US capitalism coming down, even though they would oppose such action on moral and political grounds.

Photographs can be forms of recruitment, ways of bringing the viewer into the military, as it were. In this way, they prepare us for war, even enlist us in war, at the level of the senses, establishing a sensate regime of war.

The life doesn't simply get erased. It gets imprinted and remembered.

I think it's important to live with a certain danger and a certain risk.

I do not deny certain kinds of biological differences. But I always ask under what conditions, under what discursive and institutional conditions, do certain biological differences - and they're not necessary ones, given the anomalous state of bodies in the world - become the salient characteristics of sex.

To operate within the matrix of power is not the same as to replicate uncritically relations of domination.