A different kind of pleasure surfaced in the aftermath, the pleasure of seeing the towers fall time and again, the experience of being entranced by the visual spectacle, and then also the very graphic forms of public mourning for exemplary citizens (taking place at the same time as the refusal to mourn the undocumented, the foreign, gay and lesbian lives lost there, for example). I am not sure that the guilt over the pleasure re-installed the good citizen.

Neoliberalism has taken new forms since the demise of the Fordist concept of labor and with the emergence of what is understood as flexible labor. This has really come to be the dominant form for about the last 20 years.

Law itself is either suspended, or regarded as an instrument that the state may use in the service of constraining and monitoring a given population; the state is not subject to the rule of law, but law can be suspended or deployed tactically and partially to suit the requirements of a state that seeks more and more to allocate sovereign power to its executive and administrative powers. The law is suspended in the name of "sovereignty" of the nation, where "sovereignty" denotes the task of any state to preserve and protect its own territoriality.

Photography has a relation to intervention, but photographing is not the same as an intervening.

There was a brief moment after 9/11 when Colin Powell said we "should not rush to satisfy the desire for revenge." It was a great moment, an extraordinary moment, because what he was actually asking people to do was to stay with a sense of grief, mournfulness, and vulnerability.

We have to be able track the ways in which fear, for instance, is monopolised by state and media institutions, ways in which fear is actually promoted and distributed as a way of bolstering the need for greater security and militarisation.

We cannot choose with whom we cohabit the world.