Photographs can be forms of recruitment, ways of bringing the viewer into the military, as it were. In this way, they prepare us for war, even enlist us in war, at the level of the senses, establishing a sensate regime of war.

We lose ourselves in what we read, only to return to ourselves, transformed and part of a more expansive world.

Let me say one thing to clarify my position. I think we can take distance from norm but I think we are also mired in norm, "empêtrés", I think you say in French. And I think the choices we can make are only in a certain struggle with the norms out of which we're constituted.

The idea that speaking at all on the topic, demanding public space in which to have that debate, is itself an act of complicity with violence, and violence against Israelis, understood as synonymous with Jews, and so violence against Jews, clearly stops the speech with an unspeakable allegation.

I think something happens only when people find that they are moved with others, find themselves linked or allied in new ways, showing up or speaking out in ways that resonate with one another. That resonating can be very compelling and lead to moving and speaking more emphatically and with sharper focus.

Surely binationalism is not love, but there is, we might say, a necessary and impossible attachment that makes a mockery of identity, an ambivalence that emerges from the decentering of the nationalist ethos and that forms the basis of a permanent ethical demand.

Surgical intervention can be precisely what a trans person needs - it is also not always what a trans person needs. Either way, one should be free to determine the course of one's gendered life.