I think maybe the destructive pleasure got turned into the destructive pleasure of war (something we see still in the images of US soldiers urinating on the dead bodies of Taliban soldiers). Something of the pleasure in destruction gets unleashed, and then becomes part of war effort rationalised first as revenge (or justice defined as revenge). But then it takes new forms, as we see now.

I was off to Yale to be a lesbian

Photographs can be forms of recruitment, ways of bringing the viewer into the military, as it were. In this way, they prepare us for war, even enlist us in war, at the level of the senses, establishing a sensate regime of war.

Race and class are rendered distinct analytically only to produce the realization that the analysis of the one cannot proceed without the other. A different dynamic it seems to me is at work in the critique of new sexuality studies.

I think we need a politics that allows us to risk what is intelligible. To be maybe slightly unintelligible, too be slightly "illisible". To take the risk of suggesting that the human form might take another form.

The question is whether NGOs that bring protection or aid or reparation therapies are furthering the possibility of self-determination or extending a form of managerial power and paternalism.

It's important that if one opposes discriminatory speech, one opposes all kinds. That is that one decides on a principle that it will include all minorities. But if the protection of one minority against another minority is what is happening, then I worry about that.