Amid all the easily loved darlings of Charlie Brown's circle, obstreperous Lucy holds a special place in my heart. She fusses and fumes and she carps and complains. That's because Lucy cares. And it's the caring that counts.

just as violence is the last refuge of the inarticulate, so it is also the first resort of the incompetent, the easy out for the man who is capable of expressing himself only in the most primitive and vulgar of dramatic terms. He leaves us with only the obscenity of violence per se - and the pornographer thereof will always be with us, in film as in any other medium. And so will his audience.

Film criticism became the means whereby a stream of young intellectuals could go straight from the campus film society into the professionals' screening room without managing to get a glimpse of the real world in between.

The critics who love are the severe ones . . . we know our relationship must be based on honesty.

Amid all the easily loved darlings of Charlie Brown's circle, obstreperous Lucy holds a special place in my heart. She fusses and fumes and she carps and complains. That's because Lucy cares. And it's the caring that counts.

To be a critic, you have to have maybe three percent education, five percent intelligence, two percent style, and 90 percent gall and egomania in equal parts.

What censorship accomplishes, creating an unreal and hypocritical mythology, fomenting an attraction for forbidden fruit, inhibiting the creative minds among us and fostering an illicit trade. Above all, it curtails the right of the individual, be he creator or consumer, to satisfy his intellect and his interest without harm. In our law-rooted society, we are not the keeper of our brother's morals - only of his rights.