The border between editing and ghostwriting is, at its extremes, a bit porous. An editor really improves and sometimes restructures a manuscript and suggests changes.

We have one life to live - and one chance to live it in the richest way possible.

The border between editing and ghostwriting is, at its extremes, a bit porous. An editor really improves and sometimes restructures a manuscript and suggests changes.

Here was a monument, in fieldstone, to the art of family life.

Conservatives like Palin and Reagan and others do seem to love the series, but so do people of all political stripes and backgrounds. I speak about the series' "radiant simplicity."

As for the multiple editions, in the case of a truly great writer - Shakespeare, Emily Dickinson, Proust, someone with a canon - there is often a "variorum" edition of the work that presents its variants. I think publishing most other writing that way would be impossible, economically, for publishers, and very ill-advised for authors.

This is the river of the great 19th-century landscapists; of Cole, Cropsey and Church, and at the end of the summer it lies motionless under the haze as under a light coat of varnish.