I don't think there's a ton of new new stuff about doing a sitcom or doing a multi-camera show, but they work. They're fun, and they're energetic, and they're short. And when you fall in love with one - like, I will watch Seinfeld, I'll watch Will & Grace, all those reruns. I just can never get enough. I watch the same ones over and over and over. I watch the same movies that make me laugh over and over and over. I was hoping to be part of something like that.

It's so cheap to just release a movie. You can do it by yourself if you have to. Put in on the Internet, if you have to. It's... I don't care anymore. It's what I do. I feel like, until now, I just do pilots. It doesn't bother me. It's just about the experience. I get to learn.

I've done a lot of pilots, and they're all so expositional. In the beginning, I think that it is important to make sure that the audience is invested in us.

It's really exciting and also it makes me nervous, because I'm like, "Well, I figured out how to perform this episode, but what if I'm not as good at what they write for next episode?" But that's part of the challenge, and that's what, I hope, ultimately makes me a better actor.

I like the idea of doing a little movie every week. When you do a movie, you don't know when it's going to come out. In a year, you forget about it. I forget stories that happened on set. I forget who I worked with. I forget my lines, my characters' names. This is so fresh. We make it, and it's on TV. It feels more like a living, breathing thing.

I enjoy the old-fashioned idea of, like, His Girl Friday and Bringing Up Baby, those old movies.

When you're recording a TV show, you really feel like you're in a bubble.