I think its natural if youre doing a lot of comedy to do a lot of drama, because you have to figure out the real version of the joke.

I think that it's just extremely rare to see any kind of TV show that's completely written by one person, regardless of what any showrunner will tell you.

Sometimes when you're given hurdles, it makes you more creative in the end.

It's so cheap to just release a movie. You can do it by yourself if you have to. Put in on the Internet, if you have to. It's... I don't care anymore. It's what I do. I feel like, until now, I just do pilots. It doesn't bother me. It's just about the experience. I get to learn.

I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.

At least 35 years ago, you didn't have the internet telling you every single thing that happened in every school and college around the world.

I like the idea of doing a little movie every week. When you do a movie, you don't know when it's going to come out. In a year, you forget about it. I forget stories that happened on set. I forget who I worked with. I forget my lines, my characters' names. This is so fresh. We make it, and it's on TV. It feels more like a living, breathing thing.