I'm not electronically geared at all; I'm really a 19th century cartoonist. I have a 15-year-old daughter, and what she's attracted to is of course iPod and this pod and that, I mean stuff I don't even begin to know - I never learned how to type for Christ's sake! I can't get in her head and find out what she would do if she had the kind of talent I had, I don't have a clue. Every generation comes up with its own quirkiness and its own culture which gets its inspiration from what's in the air at that time.

I don't know how comic artists feed their families, if they do. But it's a fascinating form and so I think that after a long period of nothing happening and work, nothing very impressive, we are into another golden age of comics. Unfortunately, it's not a golden age for the artists themselves economically. I don't know how they get along.

That was exciting to be able to comment on civil rights. I mean, the civil rights movement that young people don't know about today, but Martin Luther King was considered by the establishment press in the early years of the sit-in movement as a dangerous man, and he was the equivalent at that time as Malcolm X. And he was told to stop his demonstrations; they were against the law and all of that. Now that he's sainted and sanctified we've forgotten.

When you do the kind of work I do, everything is challenging, but probably the most challenging thing is getting up in the morning and getting on with it because it's so easy to stay in bed and not get on with it.

I was never interested in the two-party system per se. I was interested in how authority was abused by government, and how lies were told, and rewritten, to seem to be true. I came up out of a tradition of radical journalism.

I'm well beyond dyslexic: I have no sense of direction; I never know where I am.

I have no sense of direction; I never know where I am. When I back up a car, I'm more likely to hit what's behind me than not, because I have no vision for it. I've never been able to play games or play cards because I can't in my head get the next move. I've never been able to balance a checkbook. So there's some brain damage, but it may be that very brain damage that allows me to do the work I do. I've never met a cartoonist who isn't quirky or weird in some ways.