I'm not sure about that role any longer. The role used to be to mix things up and I think to a great extent it still is, but the quality of the work of the political cartoon has been succeeded by the wisecrack, the gag cartoon, so that the cartoonist becomes more of the equivalent of the Jay Leno monologues, or David Letterman monologues.

I seemed to have instinctually a strong idea of how the strip had to be written from the beginning. That changed too, but it was more in the direction of where it was headed. I didn't have a clue as to the drawing style, because the drawing style that I was groomed on from the beginning was newspaper comic strips, which were much more conventional.

Getting out of bed in the morning is an act of false confidence.

I learned to distrust writers who talked about how they squeezed the blood onto the typewriter. They just don't want you to know how much fun they have - you'll resent it.

I grew up to have my father's looks, my father's speech patterns, my father's posture, my father's opinions, and my mother's contempt for my father.

Imagination continually frustrates tradition; that is its function.

I was doing cartoons and mocking white liberals, mocking the attitude of government who said to go slow, while intending to do absolutely nothing for black people, then called Negroes. And I had a lot of fun and I expressed a lot of anger. That was a thing that was important to know at that time. As I was emerging into more and more into politics that I was angry.