Writing, I explained, was mainly an attempt to out-argue one's past; to present events in such a light that battles lost in life were either won on paper or held to a draw.

I think a play can do almost anything, because it's also a static form, much more so than in a movie. In a movie you can move the scenery, you can do anything any way. A cartoon, happens in a limited amount of space and a limited amount of time, and you can only get so many words before the reader's gonna get impatient. All of these forms that I enjoy are in a sense a slight of hand, where you have to suggest much more than you really show. You have to, in a sense, seduce the reader and trick the reader or the audience into going with you.

I was never interested in the two-party system per se. I was interested in how authority was abused by government, and how lies were told, and rewritten, to seem to be true. I came up out of a tradition of radical journalism.

There are many people who get beat up, who suffer, who are victimized, and then they sit down to write and they write crap. How many of these graphic novels over the years are from really talented people? Most of them actually, if you look at them, are self-pitying confessionals about "poor me".

Writing, I explained, was mainly an attempt to out-argue one's past; to present events in such a light that battles lost in life were either won on paper or held to a draw.

I grew up to have my father's looks, my father's speech patterns, my father's posture, my father's opinions, and my mother's contempt for my father.

Whatever New York loses, if you go to other cities around the world, or around the country, New York still has a kind of energy level you find nowhere else. Paris doesn't have it, London doesn't have it, San Francisco, a great city, doesn't have it.