To me the question of inspiration is an exercise in hindsight. The truth is inspiration is mysterious at the time. I don't think it's ever a rational process.

I, myself, don't like to see a film on Friday night and then forget it by the next day.

I think it's restrictive to typecast myself as a novelist because I enjoy other forms of expression. I love literature and I love cinema.

It's dangerous to think too much about how a film will be received. Filmmaking is not a popularity contest. Some would disagree.

I've never forgotten what it's like to be in your early twenties, which is not a particularly easy time. You've left your family, you've left the strictures of high school, and you're trying to break free and form yourself but you have to support yourself as well. We don't really give enough credence to that time of life and to its troubles.

I love films where you go into the cinema and loosen the edges of yourself and you hopefully enter into the world of the film. You're watching something unfold before you. I prefer the idea of wonder or intense wonder over shock or something.

I'm trying to get under people's skin in a way. I don't like films that go in one ear and out the other.