In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I'm sayin'?

Sometimes I have these abstract ideas and then lose track of myself.

It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It's very subtle - it's actually without dialogue. I do think it's powerful even without words.

I did a different production with a different director and Bill Pullman. Oleanna­ - the one you saw - we were doing right after Bourne Identity or right after it came out.

The exercise in theater is night after night you are doing the same play, but you have another opportunity to explore. It changes nightly even because of the audience and your day going into the evening of the performance. With film it's much more controlled.

I worked regularly from very early on, and some of it was probably a bit premature.

I like analyzing human behavior. It's complex. That's what keeps me going.