I am forever grateful that I got some training in the theater - it reduces performance anxiety.

If I'm gong out to a club I like to have fun with it. I'll use blue or red sparkly eyeliners and glittery eye shadows. Then I'll put on some blue mascara. I focus on the eyes.

I did a different production with a different director and Bill Pullman. Oleanna­ - the one you saw - we were doing right after Bourne Identity or right after it came out.

I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn't have actresses then.

I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, "Well, that's over and done with, and I can't control the outcome, so move on." I just remember that it's entertainment I am making.

I always feel like a goofy little kid.

My grandmother took me to a lot of theater. I was exposed to performance quite a bit - everything from Broadway to off-Broadway and dance and music as well. I was very lucky that way. It was a very rich childhood.