I think that ultimately I just have to be myself. You know, I don't do anything that outlandish anyway.

I think audiences, producers and directors included, develop crushes on actors (actresses in particular) and then lose interest and move on to the next one.

The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.

I like a director who is very observant and is watching what I'm doing and noticing what I'm doing, but is giving me time to figure it out. They don't jump right in and give you a note before you've had time to really search on your own with how to do a scene.

The thing with the Bourne movies is that they're so big in scope and the production value is so high and it takes so much organization.

I am forever a romantic. I try to bring that into my work. I try not to be fooled by romance. Or work.

It's fun to stay at the Y! M! C! A!