With actors, all our ages are out there for all to see - you can't hide anything, really. And it's kind of a relief. This is my age, this is what I look like without makeup on - who cares? That youth culture - that lying about your age - it's all denial of death anyway.

In grade school I was a complete geek. You know, there's always the kid who's too short, the one who wears glasses, the kid who's not athletic. Well, I was all three.

I think all of us struggle with how to keep relationship alive. And yet it can't be static either. It's never going to be how it was when you first met because you're not in that place anymore; you're not necessarily the same people. So, that's the struggle - you're trying to make the relationship move forward with the rest of your life and make it special and meaningful. And I think it's incredibly challenging.

Air pollution is terrible for our children. Every single scientist, every single doctor will tell you the same thing: Air pollution damages our children’s brains, their hearts, and their lungs.

When I was younger, I thought I had to shut myself off, work really hard to cry. I learned after a while that that's just not... You know, often in life, you cry when you're caught off-guard. That's where I need to be when I'm acting, too.

I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.

I like stories about people. I like things that are human and different. I want to be as engaged in my work as I am in reading a book. I want to be electrified by the films I do.